When looking at the major elements that went into the creation of classic British film, A Matter of Life and Death(1946), one would never have expected it to be anything but a confusing and incoherent hodgepodge. Let’s have a look… Take one part Christian-based afterlife, a drop of true love and its vital importance on earth, one part straight fantasy, a good dollop of melodrama, a court scene, the possibility of brain damage to the main character, and a request from the government to create a propaganda film to foster good relations between the US and England, stir well and stand back.
But I guess one should never underestimate the brilliance of Powell and Pressburger. The team responsible for The Life and Death of Colonel Blimp was certain to defy every expectation we had and mix this together in a completely unexpected way. Accustomed as we are to Hollywood today creating only blockbusters with completely nonsensical (albeit entertaining) plots and predictable, formulaic tear jerkers for those of other sensibilities, watching the films that these guys made is a bit of a jolt.
Essentially, this film deals with the plight of a British aviator who, while he is supposed to be dead, falls in love with an American girl. Since he’s supposed to be dead but isn’t because of a cock-up by a particular angel, a whole boatload of bureaucracy gets put in motion to get him properly killed off.
In the meantime, a group of people on Earth are moving to save him.
It all sounds pretty maudlin, but in practice, the filmmakers manage to pull it off, and then some. The mixture of black and white and color footage is the best use of this technique since The Wizard of Oz, and the special effects are extremely ambitious for postwar Britain.
Also, David Niven is always worth watching, no matter if he is the romantic lead as in this case, or if he’s playing a hardened commando.
This one is a keeper – even if American audiences will have to look for it under the title Stairway to Heaven (which makes it sound even dumber. Does anyone else remember the moronic TV show of the same name). If you haven’t seen it go out and watch it.
The curious incident from this one is that one of the character actors, Bonar Colleano, a man who was well on his way to becoming a superstar when he died, was killed in a sportscar crash returning from a gig in 1958 at the age of 34. As you all probably know by now, Classically Educated loves all forms of high speed motorsport, the purer the better, so we salute, more than a half-century later, the passing of a fellow enthusiast.