Alastair Reynolds is probably the most important writer to enter the SFF genre in the past 20 years or so, certainly the most important to be writing pure SF. His Revelation Space series reminded everyone of why we like reading SF in the first place. While others are beating us over the head with their politics, abuse of the English language and fears of the coming eco-apocalypse–and winning awards for that drivel–Reynolds built up a far-flung, plausible future extrapolated from the humanity and technology of today and told an entertaining story therein.
So yeah, Revelation Space earned its solid sales, and the writer’s multi-million pound advance was equally well deserved.
Diamond Dogs, Turquoise Days is not a novel. It’s a collection of two novellas stuck together in one volume, and must be analyzed as such.
It starts off beautifully. “Diamond Dogs” is pure Reynolds: two humans grappling with an almost unimaginable tech challenge. On the grand scheme of things, the story might seem like a low-stakes problem, but one increasingly gets the feeling that something important is going on there. Exciting and interesting.
“Turquoise Days”, on the other hand, is not quite as good. I think this one tried too hard to pander to what passes for “respectable” SF these days and, for that reason, doesn’t quite reach Reynolds’ usual standards of excellence. It’s not bad, it just sinks into the quagmire of he current sameness and utter lack of a sense of wonder overrunning the genre. It also has Solaris envy.
Century Rain is a very different kettle of fish. It’s a hugely imaginative, high-concept parallel world / alternate history detective story. It is conceptually brilliant and a daring change of pace from a man whose strengths lie elsewhere. The story is somewhat clunky in places but, just like Revelation Space itself, it all comes together seamlessly–and satisfyingly–in the end.
So, what to do? Well, if you’ve never read any of his work, you absolutely have to start with Revelation Space. If you haven’t however, I would say that “Diamond Dogs” is a good introduction, but an even better one would be any of his short works. “Zima Blue” is, in my opinion, the best SF short I’ve read published after the year 1990 by a long margin, and most of the rest of his stories are amazing as well, if, usually much darker than “Zima Blue”.
If you get the impression that the batch above is something of a mixed bag, you’d be right. Other than “Diamond Dogs”, these two books are best left to the fans.
Gustavo Bondoni is an Argentine writer whose novel Siege, though nowhere near as well known, explores many of the same issues as Revelation Space.