It’s no secret that we at Classically Educated really, really like the work of Alastair Reynolds. I firmly believe that he is the best writer currently working in the SF field by several lengths. I know his case is helped by the fact that science fiction is currently not going through a golden age–quite the contrary, in fact–but Reynolds is a man who would have been heralded as a great in any era.
His stories take place in the deep future and, though they extrapolate from the present, they don’t pretend that the things that society is deeply concerned about today will matter in a thousand years–or even a hundred. Thus freed from the fetters of writing boring politically-concerned drivel, Reynolds sets out to explore the galaxy.
And man, does he ever explore. No distance is too far, and no element of particle physics too obscure for his pen. His work is made even more interesting by the fact that, with his background as a scientist, he doesn’t take shortcuts: the science in a Reynolds book is limited by what we believe to be the true state of the universe. No faster-than-light shortcuts to make the plot easier to weave together. No quantum teleportation on a macroscopic scale.
Pushing Ice is vintage Reynolds. Humanity is just beginning to push hard into space, with a foothold on the inner planets and profit-driven operations working further out to harvest water ice. When a moon of Saturn begins to act extremely strangely, the nearest mining ship is sent out to investigate.
The people on board the ship are caught up in events and technology on a galactic scale that they can’t even begin to understand, but must somehow face up to if they want to survive.
As always, Reynolds is unflinching: he gives us a book where believable things happen to the characters, and miracles simply don’t exist which, strangely, ends up making this one an uplifting work.
It’s definitely a solid effort, hard to put down and well paced. The one thing I didn’t like is that the two main characters often act like spoiled children, and the dynamic between them felt a little forced.
But that’s of little importance when you consider how well this particular drama plays out against the biggest canvas possible. Another Reynolds winner.
Gustavo Bondoni is an Argentine novelist and short story writer. His own sweeping space opera is entitled Siege. You can have a look at it here.