The Shadow of Rebecca

Secret Beyond the Door Film Poster

It’s not often that we encounter minor movies while watching the 1001 films you need to see before you die, but it does happen sometimes.  Today’s subject, Secret Beyond the Door, is a case in point.

Don’t get me wrong, this is an entertaining thriller that directors other than Fritz Lang would have killed to have in their oeuvre.  But for the man who filmed Metropolis, it’s a second-division effort.

Nevertheless, it’s worth looking at, if only because it pays homage to Daphne Du Maurier’s Rebecca, and to Hitchcock’s film of the novel, both of which are classics of their respective fields.  The book, as I’ve so often said, holds my favorite opening line ever.

The parallels are both inescapable and obvious: a young woman meets a man with a mysterious past, marries him and moves to his mansion, where the deceased former wife is nearly a physical presence.  Both end with the house in flames.

Joan Bennet in Secret Beyond the Door

The major difference, and Secret Beyond the Door‘s major point of interest is that the gothic horror comes from the husband himself, and the question of whether he is or isn’t planning to murder the young woman drives the film forward relentlessly.

Regardless of parallels, this one is an enjoyable thriller which should supply a couple of surprises and keep you on edge until the end.

As a surreal side note, I’ll add a Gilligan’s Island link: actress Natalie Schafer, who played Lovely Howell, is in this one as the young bride’s friend and traveling companion.

And, with the reflection that I never thought I’d be writing about Gilligan’s Island here, we can go on to the next film… soon.

 

Gustavo Bondoni is a novelist and short story writer whose thriller Timeless is not based on Rebecca.  You can have a look here.

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