Back when I started publishing regularly in science fiction and fantasy magazines in the late 2000s (does anyone say the “noughts” any more?), there were a lot of large format perfect-bound magazines out there which took advantage of then-new print-on-demand publishing technologies.
These mags contained fiction, poetry, art and even comics. They were a lot of entertainment for the money.
But not many of them survived for very long, which is why horror magazine Night to Dawn is such a refreshing reminder of how things used to be.
I received my contributors’ copy of Night to Dawn 35 because it contains my vampire story “Neurosis and the Undead”, and read through it, savoring the sense of being back in 2010–which, in this case, is a good thing.
For starters, there were a LOT of vampire stories in this magazine (I suppose the title of the publication should make one expect that) which is surprising in modern times. Vampires, the common wisdom contends, are overdone. I argue that vampires might have been popular, but they were popular for a reason: they are fascinating creatures, and you can always tell a new and different story about them.
Next, there are many, many interior illustrations of the black and white type we always loved in an earlier generation (think 1960s / 80s) but which you almost never see anymore.
And then there is the fiction.
Many outlets for short fiction, especially in small press, are essentially a mouthpiece for political pandering. The stories therein might be better or worse, but they are often selected for criteria of ideological homogeneity or an attempt to ensure that the table of contents is populated by the correct demographic instad of quality (I won’t get into any arguments here about why this is wrong. If Stephen King is taken to task for arguing that quality is more important than any other criteria, I don’t even want to imagine what Twitter would do to me).
Night to Dawn is refreshing in this sense as well. The stories are diverse in the best sense of the word, meaning that they are different from each other. Some seem to lean progressive, some a little more conservative. It’s quite clear that the attempt here wasn’t to line up a point of view but to select the best possible stories for publication.
Whether that is successful or not will depend on the taste of the reader. Most likely, in an eclectic mix like this one, you’ll enjoy some more than others. Most intriguing to me was “Therapy for a Vampire” by Margaret L. Carter (this one is a serial, so I don’t know if the ending is as good as the setup). I also enjoyed “My Zombie Valentine” by Roxanne Dent and “Professor Zapfman’s Miraculous Galvanic Apparatus” by Bernie Mojzes. Your mileage will vary depending on your tastes, of course.
So if you miss the old-school style of horror, this one just might be for you. I encourage you to have a look.
Gustavo Bondoni is a novelist and short story writer whose darker fantasy is collected in the ebook Pale Reflection. You can check it out here.