Kurosawa’s Ikiru – Wondrous Light in the Face of Tragedy

An old man on a swing in the snow, singing a traditional Japanese song while smiling happily doesn’t seem like the kind of image that can bring hardened movie-goers to tears, but that’s because you haven’t yet seen Ikiru.

This is a movie about celebrating life, of living every day as if it as if it were the last, for the simple reason that, one day, it will be. That, and the incredible acting of Takashi Shimura, who plays a beaten down bureacrat who, in the first minutes of the film, discovers he will soon die of stomach cancer.

The rest of the film deals with that man trying to make sense of the death sentence.

The film reminds you once again that life exists for those who live it. So many people are just going through the motions, happy just to have a job that gives them a position in society and forgetting the truly important parts of life.

I once called Ladri de Bicicletti the most communist film ever. In the same vein this is the most un-communist film ever. It represents everything that liberal humanism celebrates, and criticizes conformism, equality (in the sense of everyone desiring the same path through life) and especially bureacracy.

It’s an exploration of how the individual–even one who never thought of rebelling against the pressure applied by society–is more powerful than the forces of conformism. It’s wonderful if you happen to celebrate the individual or enjoy an uplifting story. It’s deeply and subtly subversive if you believe that individuals should be subordinate to the tyranny of the majority.

Highly recommended as a way to brighten your day.

Gustavo Bondoni is a novelist and short story writer whose most recent literary book is the linked short story collection Love and Death, which deals with life in its most piercing aspects. You can check it out here.

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