I’ve spoken about William Gibson’s Sprawl trilogy here before. Last time, we mused at just how much influence the books had on The Matrix film series (basically it’s impossible to overstate).
Now that I’ve finished the trilogy by reading Mona Lisa Overdrive, I can give my final thoughts.
First off, this book is fun. It’s structured like a multi-string crime book or a thriller in the modern mold, with different characters showing us different threads of the action, which then converge at the end. While it’s a little short to be quite as effective in this treatment as a contemporary (1988) Tom Clancy book, it’s still an entertaining way to structure the novel.
This is probably the one where the cyberpunk elements are woven into the tale most skillfully, possibly because Gibson understood them better or maybe because he assumed that the readers who’d gotten that far also understood everything much better. Either way, I think this book would not really work at all for people who hadn’t read the first two in the series.
Having said that, the best part of this book is that it actually explains the mystical aspects of the earlier novels, which, like the mystical aspects of the Matrix trilogy always annoyed me. They were a jarring note in an otherwise hard-science-y universe of hardware and software.
Though the explanation isn’t very deep or detailed–this book is much more about completing character arcs and telling its own unique set of events–the fact that the spiritual explanations are closed off helps reestablish the hard-edged nature of the series.
These books aren’t perfect–not many seminal books are–but they do transport you to an alternative and noir world, which is always welcome.
And seeing that a lot of modern science fiction seems more concerned with diversity and inclusivity than with actually telling a cool story, this is a welcome change of pace for those who’ve become saturated with the modern stuff. (I don’t want to be unfair–there’s still plenty of good, story/tech/adventure-driven SF out there. But you have to wade through it).
So there’s a reason Gibson has taken his place among the canonical writers.
Gustavo Bondoni is a novelist and short story writer whose novel Outside explores, as Gibson’s work does, the limits between humanity and technology, and the consequences of too much reliance on the latter. You can check it out here.