Although we watched them before this blog existed (which means I can’t link to the reviews), trust me when I say that the 1930’s dance films starring Fred Astaire and Ginger Rogers felt new, edgy and just plain fun in their context. They really were that good.
However, by 1953, there was a new king of the dance: Gene Kelly. His films are a bit different, more manic and catering to a post-war sensibility.
To its credit, The Band Wagon attempts to mimic the new aesthetic, and it does so quite well. It could very easily be a Gene Kelly feature, and it’s no wonder it did well. Even better, the plot centers around the return of an aging actor from retirement, a wink to the fact that Astaire was not the flavor of the month.
Of course, the film, though good, can never feel revolutionary or groundbreaking. What it does well has already been done, and I assume that it’s only the fact that Astaire was in it that lands it on the 1001 movies list. It’s a good film, but perhaps only marginally great. Still worth watching, though.
One of the funniest things about the movie came as I was researching the cast to write this post. It seems that half of the people who would go on to act in the 1960’s Batman series are in here. We have Batman’s Aunt, Mr Freeze’s squeeze and, best of all the great Julie Newmar, who is still with us and who will always be the greatest Catwoman ever.
Holy batwagon, Bandman… I mean…
Gustavo Bondoni is a novelist and short story writer whose fiction spans every genre from literary to creature feature. His eclectic nature comes out very strongly in his most recent collection, Off the Beaten Path, in which science fiction and fantasy moves away from the well-trodden paths in the developed world. You can check it out here.