My first impression of Disturbed Digest – on receiving my first contributor copy, for my story in the December 2018 issue – was that the cover is brilliant and perfectly fits the topic of the publication. It looks like something that might have graced a cover of one of the horror or fantasy mags in the fifties, which is the highest compliment I can think of for cover art. I’ve never been shy in admitting that I love those old covers and feel that the modern ones suffer by comparison. This one does not suffer. It’s the perfect blood-red design with a classical human looking unsuspectingly to his symbolic doom. Wonderful.
So the stories inside had to live up to the cover, which is something that wasn’t always the case back in the Golden Age of science fiction in which the mags had classic stories by brilliant masters (Asimov or Heinlein or Leinster or whoever) but also filled their volume with lesser work.
Disturbed Digest doesn’t fall into this trap. There is no filler here, and the stories are chilling enough to carry the cover. Everything from nicely tuned dread to cosmic horror on a Lovecraftian scale, these dooms can be well-deserved or utterly unfair, as the story demands.
The story I enjoyed the most was probably Lee Clark Zumpe’s “Wild with Hunger” that, though it breaks no new ground when it comes to monsters, it is beautifully written and delivers the sensation of being in a dreadful place as well as I’ve seen recently. Another particularly good one was Aria J. Wolf’s tale, “The Death Waltz”, with a reveal at the end that you likely won’t see coming.
Gustavo Bondoni is a novelist and short story writer whose latest collection is entitled Off the Beaten Path. Moving away from the usual western European settings, this one will open your horizons to cultures and places you never suspected existed. You can check it out here.