Now, I know most people are more aware of Judy Garland’s adult oeuvre than I am, but to me, she represents the young girl in The Wizard of Oz and Meet Me in St Louis, and today’s subject, A Star is Born, was my introduction to her roles as a grown woman.
This one isn’t an innocent musical comedy, although Garland is cast as a wholesome girl to whom incredible things happen. It deals with alcoholism and pitfalls of celebrity culture in a rather open way. It also tackles suicide.
But even though the themes are heavy, the tone of the picture is quite upbeat and bearable (if you can take Garland’s perkiness for three hours) until about the last half hour when all the darkness that had been building up comes crashing down.
Great film? Definitely. Good film? Not really. The music, strangely for a Garland vehicle, is not particularly catchy, and seems to have been designed to prove that she was talented enough to handle the jazz that was popular in the era. Why this should have been a question is beyond me… Garland could handle anything. I found the songs dull (though, to be fair, the soundtrack apparently hasn’t been out of print since the release of the film) and I also got tired of Judy herself after a couple of hours.
Perhaps I’m not the perfect audience for this. It felt to me like a great film for my mom or any other grandmother out there… the kind of female viewer brought up with high emotional content in their movies. That might not be the exact audience, but the fact that I think so should give you an idea of what to expect.
Anyway, this one is watchable, and even if the plot gets thick and the style isn’t your thing, you can just sit there and admire the singing, acting and dancing of one of the most talented people to ever step on a stage or in front of a camera.
Gustavo Bondoni is a novelist and short story writer whose erotic thriller outside follows a journalist from New York into the murky waters of international smuggling in eastern Europe. You can check it out here.