Alastair Reynolds

Space Opera at Its Best

Pushing Ice by Alastair Reynolds

It’s no secret that we at Classically Educated really, really like the work of Alastair Reynolds.  I firmly believe that he is the best writer currently working in the SF field by several lengths.  I know his case is helped by the fact that science fiction is currently not going through a golden age–quite the contrary, in fact–but Reynolds is a man who would have been heralded as a great in any era.

His stories take place in the deep future and, though they extrapolate from the present, they don’t pretend that the things that society is deeply concerned about today will matter in a thousand years–or even a hundred.  Thus freed from the fetters of writing boring politically-concerned drivel, Reynolds sets out to explore the galaxy.

And man, does he ever explore.  No distance is too far, and no element of particle physics too obscure for his pen.  His work is made even more interesting by the fact that, with his background as a scientist, he doesn’t take shortcuts: the science in a Reynolds book is limited by what we believe to be the true state of the universe.  No faster-than-light shortcuts to make the plot easier to weave together.  No quantum teleportation on a macroscopic scale.

Pushing Ice is vintage Reynolds.  Humanity is just beginning to push hard into space, with a foothold on the inner planets and profit-driven operations working further out to harvest water ice.  When a moon of Saturn begins to act extremely strangely, the nearest mining ship is sent out to investigate.

The people on board the ship are caught up in events and technology on a galactic scale that they can’t even begin to understand, but must somehow face up to if they want to survive.

As always, Reynolds is unflinching: he gives us a book where believable things happen to the characters, and miracles simply don’t exist which, strangely, ends up making this one an uplifting work.

It’s definitely a solid effort, hard to put down and well paced.  The one thing I didn’t like is that the two main characters often act like spoiled children, and the dynamic between them felt a little forced.

But that’s of little importance when you consider how well this particular drama plays out against the biggest canvas possible.  Another Reynolds winner.

 

Gustavo Bondoni is an Argentine novelist and short story writer.  His own sweeping space opera is entitled Siege. You can have a look at it here.

Advertisements

Beyond Revelation Space

Diamond Dogs, Turquoise Days By Alastair reynolds

Alastair Reynolds is probably the most important writer to enter the SFF genre in the past 20 years or so, certainly the most important to be writing pure SF.  His Revelation Space series reminded everyone of why we like reading SF in the first place.  While others are beating us over the head with their politics, abuse of the English language and fears of the coming eco-apocalypse–and winning awards for that drivel–Reynolds built up a far-flung, plausible future extrapolated from the humanity and technology of today and told an entertaining story therein.

So yeah, Revelation Space earned its solid sales, and the writer’s multi-million pound advance was equally well deserved.

But what happens when you move beyond that?  Let’s have a look, using two of Reynolds’ lesser-known books to illustrate the point (as you’re probably aware, we really like doing these exercises).

Diamond Dogs, Turquoise Days is not a novel.  It’s a collection of two novellas stuck together in one volume, and must be analyzed as such.

It starts off beautifully.  “Diamond Dogs” is pure Reynolds: two humans grappling with an almost unimaginable tech challenge.  On the grand scheme of things, the story might seem like a low-stakes problem, but one increasingly gets the feeling that something important is going on there.  Exciting and interesting.

“Turquoise Days”, on the other hand, is not quite as good.  I think this one tried too hard to pander to what passes for “respectable” SF these days and, for that reason, doesn’t quite reach Reynolds’ usual standards of excellence.  It’s not bad, it just sinks into the quagmire of he current sameness and utter lack of a sense of wonder overrunning the genre.  It also has Solaris envy.

Century Rain by Alastair Reynolds

Century Rain is a very different kettle of fish.  It’s a hugely imaginative, high-concept parallel world / alternate history detective story.  It is conceptually brilliant and a daring change of pace from a man whose strengths lie elsewhere.  The story is somewhat clunky in places but, just like Revelation Space itself, it all comes together seamlessly–and satisfyingly–in the end.

So, what to do?  Well, if you’ve never read any of his work, you absolutely have to start with Revelation Space.  If you haven’t however, I would say that “Diamond Dogs” is a good introduction, but an even better one would be any of his short works.  “Zima Blue” is, in my opinion, the best SF short I’ve read published after the year 1990 by a long margin, and most of the rest of his stories are amazing as well, if, usually much darker than “Zima Blue”.

If you get the impression that the batch above is something of a mixed bag, you’d be right.  Other than “Diamond Dogs”, these two books are best left to the fans.

 

Gustavo Bondoni is an Argentine writer whose novel Siege, though nowhere near as well known, explores many of the same issues as Revelation Space.