Car magazines

Well, They put One of my Two Favorite Ferraris on the Cover

I don’t particularly love cars from the 1970s, but there were some true icons. While Lamborghini was stuck with the utterly awful Countach which only an ’80s stockbroker could love, Ferrari designed it’s two prettiest cars ever.

If someone were to gift me one Ferrari with the caveat that I couldn’t sell it, I’d go for a 512 BBi. But if no 512s were available, the 308 GTB (it has to be a coupe) would be my next choice. These are far from the fastest Ferraris today, and they are far from the most expensive… but they are so pretty. Hell, even the Dino pales before these in my eyes.

So, seeing it on the cover of the December 1976 issue of Road & Track was very cool, as was the comment by Bob Bondurant–a man who knows a lot about Ferraris–that it was the best sports car he’d ever driven. I may need to buy one of these before the price skyrockets, as it eventually does on all cars that wear the prancing horse. They seem to be about $80K today for a reasonable if not perfect one, and they’ll only go up, so that’s my investor tip for the day.

Anyway, this mag was a good one. The 308 article is fun, as is the coverage of the Pebble Beach concours and the Monterey Historics, and the article on the Maserati Birdcage is as cool as expected (coverage of the Birdcage is not as frequent as that around other classic racers). Finally, a paragraph apart for the Penske that won a Grand Prix. As far as I can remember, it’s the last American car to win an F1 race.

So a great issue and overall and a good step towards the 1980s. After the drama of the early emissions and safety madness, engineers were finally managing to make the cars less bad. They still had a long way to make them as good as the cars from before the legislation… but engineers are smarter than lawmakers, so they will eventually win the tug-of-war.

Anyway, a worthwhile issue.

Gustavo Bondoni’s is a novelist and short story writer whose latest book is called Test Site Horror. It’s an action-packed thriller in which genetically modified dinosaurs and indescribable monsters vie for superiority… while a group of people try to stay alive in the middle of it all. You can check it out here.

The Spirit of ’76

All right, so it might not be the best post title for something about two magazines that feature an Italian car and a German-designed ford on the covers. But at least they’re American car magazines edited in 1976, specifically in September and October of that year.

But the title isn’t as misleading as you might think, either. Whenever someone speaks to me of the spirit of the bicentennial as an automotive question, I immediately think of John Greenwood’s Corvette which ran at Le Mans that year. Cartoonish, overdone and the fastest thing down the Mulsanne until the 400 Km/h WMPs (and still one of the fastest things that will ever go down the straight since they emasculated the course with chicanes). The French, of course, loved the thing. Pure spectacle has always had its place at La Sarthe.

One car can’t make a race, of course, so the organizers invited a couple of NASCAR stockers, too. None of these cars would last very long… but it didn’t matter. Le Mans in 1976 will always be AMericanized.

The other interesting stuff in this duo are the Italianate interview of Giorgetto Giugaro, possibly the last master of Italian design and also the Bertone Navajo on the cover.

But the truly huge news was the coverage of the Swedish GP in which the six-wheeled Tyrrells won their only race. Such a glorious vehicle deserved to go out with a win. Everyone who saw them race remembers them (and those of us too young to see them can’t believe they raced them!), just like everyone who heard a Ferrari GP V12 won’t forget. To be honest, in today’s Formula One, there is zero technical interest unless you’re an aerodynamicist and the cars sound stupid. The only interest in F1 is to see if it rains and Max Verstappen can do something from the second row (And I hate Verstappen because his car isn’t the right color… remember that, in F1, there are three types of drivers: arch enemies, field fillers and wonderful drivers in red cars).

But the F1 six-wheelers. Hell, they were far from the most successful of Ken Tyrrell’s machines… but they are the one that everyone remembers.

And they won that Swedish GP. Awesome.

Gustavo Bondoni is a novelist and short story writer whose work spans every genre except Westerns. Well, that’s not true, he’ll write an occasional SFF Western story. His latest novel is a monster book entitled Test Lab Horror, which follows the adventures of a team of Spetsnaz soldiers as they try to keep a group of civilians alive while genetically modified dinosaurs rampage around them. You can check it out here.

Timelessness, Thy Name is Classic and Sportscar

As you already know, I read old car magazines and write about them here when not complaining about the writing world or reviewing SF and Fantasy (and other) books. Each magazine has a personal style, a feeling you get when reading the thing.

So when I picked up the very first issue of Classic and Sportscar (it was originally published as Old Motor, and I hope to review some of those magazines in the future, too), I expected the April 1982 Edition to continue some of the trends I love from the modern editions of this magazine, namely spectacularly clean design, tight editing and a wonderful, lush feel – I honestly believe the modern C&SC is the world’s most beautiful and luxurious magazine.

I was quite surprised to find that wasn’t the case in April 1982. The first thing that jumps out is that there is a lot less color than in the spectacular modern editions, but I suppose in the austere conditions in England in the early ’80s, you couldn’t expect much. The editing was… let’s just say I spotted a few errors that would not be there today.

But it still felt like C&SC. The quirkiness of the writing was evident (perhaps even moreso than today… it’s a sad state of affairs when British eccentricity begins to fall by the wayside), of course, but that wasn’t it. Only as I sat down to write this piece did I realize what it is: updated with color pics and better design, the entire issue, except for the time-based club events pages, could be published today and no one would be the wiser. Just update the values and the names of the specialists that deal with keeping each kind of car on the road and presto, a 2021 edition of C&SC.

This is amazing to me, immersed as I’ve been in the perusal of old Road & Tracks. The American mags just ooze seventies (I wanted to say charm, but the seventies had no charm) essence while this magazine is timeless. The subject matter helps, of course: classic cars are not built in the period in which they are written about, so it should make little difference if you’re writing in 1982 or 2002 or 2022.

But that’s not all. It’s a question of the culture outside the magazine permeating into the writing of one while being blocked from the other. The writing, the colors, the ads are all less period-influenced in the British mag than they are in the US one. In C&SC‘s case, even the ads seem a little less period garish (one of the wonders of old R&Ts are the cigarette ads, so 70s it hurts).

That’s a pretty special quality, and a key ingredient for one of the world’s best magazines. In fact all the ingredients were there… the overall quality just needed to be tweaked a little to achieve the spectacular results you can find on the newsstand today.

Gustavo Bondoni is a novelist and short story writer whose latest book is a monster novel entitled Test Site Horror. If international intrigue, nonstop action and genetically-modified creatures are something you enjoy, then by all means check it out, here.

Hearing the Footsteps: Japanese Cars Poised to Take Over the US

Road & Track has always been a magazine for enthusiasts. That means it focuses mostly on cars people who like to drive would find interesting. There are certain corollaries to that, one of them being that the cars they write about might not be large-volume items (the cover of the July 1976 issue below is a good example… very few people buy two-door sports cars). So I’m assuming, with the aid of being more than forty years in the future, that Detroit wasn’t paying too much attention to what Road & Track was telling them.

That was a mistake.

You see, in the mid-1970s one of the thing that R&T found interesting were small cars with good fuel economy, forward-looking engineering and fun handling (to be fair, everything was fun compared to most of the American cars on the road back then).

Detroit, of course, believed that some small cars would be sold, but that people still wanted slightly larger cars. Again, a mistake.

All you need to see the writing on the wall is to read the caption above the picture of the first Honda Accors sold in America. It simply asks: Best Buy in the US?

Though I’ll be the first to admit that, as a child in the early 1980s, I found accords and other Japanese cars to be kind of crappy (but then again, I loved the TR7 as a child, so I might be a bad benchmark. Plus, my dad drove Audis, so my tastes were skewed in that direction), but that was likely because I didn’t have to buy or drive my own cars back then. The truth was that, when each Accord was built, it was better than anything in its price class, and better than a lot of cars more expensive that it was, too. And better than a lot of bigger cars.

That last sentence is what ended up transforming Detroit’s Big Three from a dominant force to just another group of companies competing for the automotive market in the US. Detroit’s big cars just weren’t as good as Japan’s compacts. And they were more expensive, guzzled gas and took up more space.

Worse still, it wasn’t just Honda. Toyota and Nissan were on the same path, and even Mazda was involved in the invasion.

As an exercise to the reader, have a look at the two covers pictured. Count how many references to American cars are made, and how many to foreign ones.

As a final data point, I’ll reveal that the American cars are only there because of two recent racing conversions made of those cars. Very cool stuff, but not exactly the kind of thing you can sell in the millions of units.

If you ever wondered why the US auto market no longer belongs to Ford, GM and Chrysler (and why Chrysler now belongs to Fiat), you have your answer in these two covers. This is where it all started.

Gustavo Bondoni is a novelist and short story writer whose work spans genres from highbrow literary to creature feature. His latest book is a monster novel entitled Test Site Horror, which follows the adventures of a Russian Special Forces soldier as he tries to keep his team and the civilians in his charge from getting killed by genetically-modified dinosaurs. What’s not to like? You can check it out here.

The Year of Rush

It’s not often that anything I write about outside the 1001 movies list has wide appeal, much less is something related to a blockbuster movie. But now that I’ve gotten to the 1976 Road & Tracks, I can finally link it to a big film.

You see, 1976 was the year of Rush.

So, it’s fitting that the May 1976 edition has a cover photo showing a Ferrari Formula One car, if not the one that Lauda drove in ’76, at least one that he’d driven earlier. Of course, the race coverage in this one and the June 1976 edition had no idea of the drama that was about to unfold during the season, and Rob Walker limited himself to noting how well the Ferrari steamroller, world champions in ’75 were performing in the new season.

Aligned with the Rush theme of hedonism, the joy of living and the acceptance as risk as a part of life, the June issue was full of convertibles, which is R&T’s way of thumbing its nose at the social engineers of the day, as convertibles were disappearing because many considered them unsafe. Fortunately, the misguided jackasses trying to save us from ourselves didn’t win that battle – you can still buy a convertible in a showroom today.

And the more I spend time in the 70s with these mags, the more I realize that people in that decade were much more concerned with having fun than we are. Now before you tell me that the economy today and yadda yadda yadda, remember that the 1970s were a time of rampant inflation and economic woe (and stupid legislation like the 55 mph speed limit). And yet people were out to enjoy life.

You can see it in the race reports, in the way cars were styled and in the irreverent tone of some of the articles, but mostly, you can see it in the ads. This was a time before people were supposed to hide their preferences, before the mass oppression of society got into everyone’s life. So yeah, cigarette ads on every other page showing people outdoors or living risky lifestyles (race drivers, hang gliding). Bikini-clad models selling carpets, ads for catamarans, weird Dodge Van customizing kits for sale from Dodge itself. Everyone wore bushy mustaches.

Even if the mustaches aren’t your thing, you end up with an image of the seventies being a hedonistic age, and like all hedonistic ages, a good one. It’s hard for me to say this, as I’ve always thought it was a decade that should have been erased from history (and disco, hedonistic or not, definitely should be deleted from the record forever), but I’ve come to understand that the people from back then could teach our dour, moralistic society a thing or two about relaxing and just having a good time.

That sociological trip through the decade might be the best part of reading these old magazines… even though I also love the car stuff.

Gustavo Bondoni is a novelist and short story writer whose latest novel is entitled Test Site Horror. It follows a Russian Special Forces soldier trying to keep an alluring journalist alive after she bites off a story much too big to chew. Fast-paced and exciting, you can check it out here.

Scale Auto Again

A year ago, I looked at the scale model hobby in general, via (as usual) a look at a publication in the field. Seeing how many car magazines I read, you should probably not be surprised that the main magazine for my own modeling is Scale Auto Modeler (even though I do sometimes build planes, just because I like planes).

The June 2019 issue of the magazine is a special one because it’s an anniversary edition in which the editors look at models with a 1979 (year of the first issue) theme. This, of course, is fun, and it’s something one can do with the basic kits (as seen on the jeep on the cover) that depict cars that existed in that year, or go a little more advanced and modify a kit of a different car year to make it appear like a car from 1979 (as the Corvette conversion in there).

My favorite part of scale modeler is actually a column that appears every month entitled “bench Racer” in which a specific race car is built from components meant to either build a different version of a similar car, or a slot car body or something completely different. In this particular issue, we get part 1 of a conversion of a ford into an SS1100 jaguar racer… which is interesting indeed.

The other part I love is the contest section where photos of kits presented at different contests are showcased. Again, this is specific to me, as I don’t necessarily build kits to obsess over details and expand my knowledge of swear words in every language (although building them allows one to do both) but to look at them once done. The contest page allows me to look at pretty kits that other people have gone nuts over.

So reading one of these is a lovely break from more weighty literature… even if it does cause one to suddenly need to find one’s kit in progress and try to advance, thereby learning new Anglo Saxon words when balked…

Still enjoyed it, though.

Gustavo Bondoni is a novelist and short story writer whose collection Pale Reflection might be the ideal introduction to his writing. It’s both idea- and character-driven and explores the similarities between people that can only be seen when they get into weird situations. You can check it out here.

Little and Large R&Ts

The January and April 1976 issues of Road & Track are a study in contrasts, with March being a slimline one of just 111 pages and April being a big block of a magazine of 152. It may not seem like much of a difference, but you can definitely feel the heft of one and the insubstantiality of the other.

The differences don’t end in size, though. There’s also the question of what that extra bulk is used for in the April edition… notably a massive tire test in the tradition of the October 1974 shock absorber test we ignored when we reviewed that issue. That made up quite a few of the extra pages, with some more coming from the April Fool’s test, a Road & Track tradition in which they test some utterly inappropriate vehicle in a tongue-in-cheek way. They’ve done the Queen Mary, the Concorde, etc., but this time it was more prosaic. They simply did a slightly satirical Road Test of a Lincoln limo. Of course, it could only have been written by R&Ts resident wit, Henry N. Manney III.

Other notable features of these two are the fact that the Salon article (the Salon is a traditional feature of this magazine which showcases a classic car) was the first I’ve seen which had the format I fell in love with in the 1980s and 1990s – a full-color article highlighted by a double-page photo. Running into that made me very happy.

The other major thing going on was the runup to the first Long Beach Formula One Grand Prix. First, they ran an F5000 race (article by that man Manney, again) which, being a rousing success, paved the way for the full grand prix cars to come later. It’s a major item as they became one of the few countries to hold two Grands Prix in the same year.

Of course, there are more similarities than differences – both are 1970s R&Ts after all, but it was interesting to note the differences. I’ll keep everyone posted as to how things go in the rest of the 1970s. I know you’re all sitting on the edge of your seat waiting for this…

Gustavo Bondoni is a novelist and shorts story writer whose latest book is a creature feature entitled Test Site Horror which, as the title gently hints, is about bad things happening where people played with the wrong kind of experiments. Some of the bad things happen to bad people, some to good people, and most involve large monsters. It that sounds like something you’d enjoy, you can check it out here.

This is where I came in

December 1975. A good month, if only because I was born in it (well, a good month for me, anyhow). Of course, the December 1975 issue of R&T was probably not published in December, landing on newsstands sometime in November, and it certainly didn’t report stuff happening in December. But it’s still, to a certain degree, “my” issue.

Starts off with a good cover for me. No econoboxes on my month, but no overly ostentatious exotica, either. Just a weird, one-of-a-kind concept car that was too strange to build more of. Sounds about right to represent me, so I’ll leave off the analysis and dive into the mag.

As an old-car enthusiast, I found the article on the 25th Anniversary of the Pebble Beach Concours D’Elegance to be a wonderful piece, especially since it speaks to the origins of the concours which is still going on 45 years later. Delightful.

The rest of the issue also worked for me, as Road & Track went the interesting cars route for this issue, eschewing the more mundane stuff your neighbor was driving in ’75. So Alfas and Maseratis and Porsches (lots of Porsches) instead of Fords and Cadillacs.

A side note when talking about the competition pieces is that this is the issue where R&T reported the death of Mark Donohue. If this hadn’t been the December issue, this post would have dealt entirely with Donohue, who was truly a one-of-a-kind driver. He raced, retired and was miserable out of the cockpit, so he returned and was killed in an F1 practice. Knowing just how bad his life was without racing, maybe it was for the best… but the sport lost a beloved ambassador and a man equally at home developing race cars as driving them. The hole he left is still felt today.

Other than that, the racing coverage was amazing, which ended up making me think that the good folks at R&T built it especially for me.

They didn’t, of course, but who’s going to take away a newborn baby’s fantasy?

Gustavo Bondoni is a novelist and short story writer whose latest book is a fast-paced action adventure romp with genetically modified monsters. Fun from page one. You can check it out here.

The Perfect Snapshot of the Automotive Seventies?

Science says that people who apply stereotypes are right most of the time, but modern culture has assigned a stigma to using it for analysis purposes, so I feel a little bit guilty at stereotyping the seventies in a certain way. And yet, it’s nearly impossible to feel that the October 1975 edition of Road & Track magazine doesn’t represent the decade perfectly.

It’s possible the date has a lot to do with it; it’s hard to get more centrally located, temporally speaking, in the decade than late 1975.

But there are other things. For example, the Panther De Ville has to be the most 1970’s vehicle ever created. It cost Rolls-Royce money when new… and people bought them.

But there’s more to the seventies than random pimp-mobiles. There was also racing and, as anyone who knows anything about Hollywood is aware, the seventies were about Nikki Lauda and James Hunt. So it’s fitting to see that the two winners of Rob Walker’s race reports were… Lauda and Hunt.

Also, an art car created by Calder to run (weakly) at Le Mans? That should qualify as well (and it links to our more usual interests around here). As should the cover: the Chevette was considered a great car and there was a Formula 5000 inset. That could only be the seventies. And there was talk of regulation and safety and emissions.

So if you only pick up one 1970s Road & Track to try to understand the automotive decade, you could do much worse than to choose this one.

Gustavo Bondoni’s latest book is a monster book that could serve to define the monster genre in the early 2020s. After all, Test Site Horror contains genetically modified beasts, rogue scientists working semi-officially, Russian special forces troops and investigative journalists under fire. What more could a monster book need? You can check it out here.

The Glory of Lella Lombardi

The July and August 1975 Road & Tracks continue the line we’ve been seeing in the 1970s, although I will admit that the writing is a bit more inspiring than in the earlier 1970s issues. How much of this is due to the fact that the regulatory excess had stabilized and how much was due to the simple fact that the writers were happier as automotive engineers began to get a handle on the stumbling blocks the legislators had put in there is not something I can elucidate on.

But one person simply took over the two magazines… even though it was probably unintentional.

The July edition contained a long article about Lella Lombardi, a female racer who had just gotten a Formula One drive for the 1975 World Championship season in a March. No one was expecting too much in the first year, both due to her inexperience and the fact that she wasn’t in a top-line car, but her simple presence, the first woman in nearly two decades to drive at the top level of motorsport, made her a significant character and someone worthy of a profile.

Not only that, but her presence inspired another article in the July issue: a review of the greatest female drivers until 1975. And yes, there were many and some were great, even in the early days of motorsport when driving was for seriously strong people , regardless of gender.

And then, in the August issue, serendipity struck. In the chaotic, tragic Spanish GP of 1975, a race marked by attrition and very few finishers (halted before the halfway mark and therefore only awarding half points), Lella Lombardi finished sixth, gaining half a world championship point.

To this day, these are the only points ever won by a woman in the Formula One World Championship.

And in 1975, that made put Lombardi among the greatest female drivers ever even though she probably wasn’t objectively as good as some of the giants that blazed the trail for her.

In 1975, no one knew that the greatest female driver in history was already contesting a few European rallies and entering the 24 Hours of Le Mans in a minor all-female entry. Michelle Mouton would come within a hair’s breadth of winning the World Rally Championship by taming a fire-breathing Audi. She won four rallies against the men, cementing her position as the greatest woman ever to sit behind the wheel.

And since then, no woman has managed to come close to her achievements. Danica Patrick came closest but, despite having top-line equipment, she only one a single race in her entire career and never on the world level, always in the US.

So our hats are off to Lella, a pure racer who is still unique in history.

Gustavo Bondoni is a novelist and short story writer whose book Timeless is about another strong woman, a journalist who follows her story to the very last consequences–even at the risk of her life. You can check it out here.