If you’ve never read a book by Agatha Christie, you’d be silly to begin with anything other than The Murder of Roger Ackroyd or Murder on the Orient Express. These are clearly the two “must read” Christies, and act in the same way that The Great Gatsby does for Fitzgerald: the rest of the books might be decent, but there’s a reason these two in particular stand out.
But, as witnessed by the fact that she is the best-selling novelist of all time, it’s pretty clear that most people don’t stop at these two. They read on and on and on. The questions we aim to answer today are: 1) why? and 2) is it worth it?
In order to make a run at these, I’ll use three Christie books I recently read: Elephants Can Remeber, Nemesis and Murder on the Links. These three are a couple of Poirots and a Miss Marple, so a reasonable selection.
Before answering the question, though, I found something interesting: Nemesis was not set in a soft-focus prewar era, but actually in a much more modern milieu. That ultimately made little difference to its effectiveness as a mystery but somehow, cozy mysteries are just that bit less cozy without some kind of Edwardian-ness about them.
Anyhow, with these three as the star exhibit (I won’t go into plots here – anyone aware of Christie’s methods knows it’s difficult to avoid spoilers if one gets into details) I’ll try to answer the quesions.
1) Why do people read more that one or two of the non-superstar Christie books. I think there’s a couple of reasons for this one. The first is the fun of trying to work out who the killer is alongside the detective. Christie’s lesser work might not be quite as good as her best, but with her, you know that the mystery is going to be interesting and fair to the reader. You’ll be given a chance to solve it.
Another reason is, I believe, comfort with the characters and scenario. The grisly, life-shattering effects of any murder are glossed over to focus on the surviving characers and the detective. No scenes of blood spattered bathrooms or bodies in excrement-filled sewers here, just a clean dead body that starts a process of deduction. Also, the characters speak in familiar ways and plow familiar furrows. They are books you can relax into.
Finally, they are entertaining. Whatever their status as classics, you can certainly count on them to help you pass a pleasant two or three hours and, really, what else can you ask from a book of this kind?
2) Is it worth it? That’s the crux of the question, isn’t it? There are more books out there than any human can possibly hope to read, so why bother with anything other than an author’s best?
Well, the reasons above are a good start, but they clearly don’t work for everyone. Many people will answer the question above with “Don’t bother with anything else,” and they’d have a perfectly valid point.
In my own case, I find that a little Christie novel is the perfect balm after reading something a bit more literary and dense, an Eco, maybe, or some Joyce. I enjoy a good mystery as much as the next fellow, and these are pretty much always decent, if not necessarily brilliant, and I don’t have to worry about subtext and symbolism (the body was buried in a bunker on the eighth hole… is that symbolic of something? Sand being the end of all life?).
To others, Christie is exactly the right level for all their reading. Even very well-educated people might not feel like diving into Kierkegaard after a hard day at the office, and that’s just fine. And some people can’t be bothered to read anything harder than this – which is also fine; at least their not watching a reality show featuring a Kardashian. That counts for a hell of a lot in my book.
Whatever the theoretical answer, reality has already given us the real response: Yes. To many, many people it certainly is worth it. The illustrations above show the most recent editions of these books, but most, if not all, of them have been continuously in print since they were first published – and the most recent was released in 1975: 43 years ago.
Yeah, she knew what she was doing, and even the internet age hasn’t dulled that.
Gustavo Bondoni is an Argentine writer. The characters in his novel Outside face a 500-year-old mystery that has a completely unexpected resolution.