Detectives

And One That Didn’t Quite Make the Grade

The other book I ordered from Folio along with Notes from a Small Island was yet another classic on the cusp from a contemporary writer.  Paul Auster’s New York Trilogy is another beautifully produced edition, but it didn’t, in my opinion, live up to its promise.

Paul Auster - The New York Trilogy - Folio Society edition

The problem here is the content of the book.  No matter how perfect the binding or evocative the illustrations, it’s hard to turn an exercise in experimental fiction into a good read.  Even worse, this book is saddled by the yoke of postmodernism…

So, of course, the critics loved it, lauded the way it plays with the tropes of detective fiction, and basked in its empty nihilism and lack of definition.  After all, we were in the throes of destroying all that had come before and exposing the falseness of underlying assumptions.

And I guess in that, they were correct.  As a piece of postmodern art, this one could be a hell of a lot worse.  By using the structure of a detective novel, at least it doesn’t descend into complete navel gazing, as there are actually things going on, even if they aren’t quite as entertaining as the things that go on in real detective novels, and if the ending isn’t as satisfying as they are in, say, a good noir book.

Perhaps that’s what hit me the hardest on this one.  I’m going through a phase where I’m enjoying noir enormously, and I feel that an author of Auster’s caliber (even here, it’s obvious that the man can write, if he had so chosen) could have done something truly special with the form.

But no… postmodern sensibilities won out.

I often wonder if anything postmodern will be part of the canon in a few years time, or if it will all be consigned to the rubbish bin of history like the dead end it is.  Perhaps a few pieces of postmodernism will survive, in the same way that a few bits of modernism have reached us as illustrations of their particular form.  Perhaps Folio is right and Auster’s trilogy is one of those pieces that will represent the movement going forward.

But I doubt that much else will last.  Cynicism and irony are great if savage and loaded, not when they replace a shrug and a sigh.  The postmodernists are not as jaded as they want to make us believe… and it shows int heir weak output.

 

Gustavo Bondoni is an Argentine novelist and short story writer.  His novel Outside explores posthumanism without attempting to be too optimistic or too pessimistic about it.  But realism can be quite shocking, too.

 

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Noir Fantasy – Double the Fun

Anyone who’s been following Classically Educated is well aware that we have a soft spot for noir around here.  We like it in film, we like it in writing.  We would like it in plays and tweets if it were available widely in those formats.

We also enjoy the fantasy genre.  Again, film and literature are our preferred genres, but who can really resist playing Zelda every now and then?

So when writers decide to mash these two genres together, we sit up and pay attention, with the result that we’ve decided to share some of our experiences with two very different takes on the subject.

Exhibit A is a recent anthology entitled Darker Than Noir, edited by Faith Kauwe.  It’s a collection of short stories which does exactly what the title says:  blend the noir detective sensibility with the darker end of the fantasy spectrum.  A few of the tales could rightly be called supernatural horror, but all have fantastic elements.

Darker Than Noir

In this book, our fearless–or, in other tales, hapless– detectives investigate everything from actors who want to stay young forever to misdeeds at a furry convention.  There’s something here for every taste, as long as you like it dark and with hardboiled sensitivities.

As a primer to get one’s feet wet, it’s nearly ideal.

But that’s an appetizer – for the main course we’d like to discuss the man who, in our view, takes hardboiled fantasy to its most exalted heights:  Glen Cook.  Yes, he’s better known for his military fantasy series, The Black Company, but we’d argue that he will be remembered for being the man who most perfectly blended put a human private eye in a world of elves, ogres and pixies.

Cook’s P.I. Garrett series has to be one of the most entertaining fantasy series out there, bar none.  It tells the tale of a former marine who makes his living by investigating crimes.  As expected in a fantasy world, the bad guys are usually both magical and very, very twisted.

Sweet Silver Blues - Glen Cook

What makes these compelling, though, is the main character’s voice.  Honoring the noir canon, they are told in the first person, in the world-weary, street-savvy voice we’ve come to love from the genre.  Garrett shows his human side early and often, and in so doing makes you laugh and suffer with him.  It really is a change from implacable heroes (even the flawed ones are often implacable in fantasy) and perfect elves we’ve come to expect.

It’s not our intention to do a blow-by-blow of each book here (read them, you’ll thank us), but just to point readers who share our interest in a couple of interesting directions.  Both of these very different propositions proved entertaining–so think of our pointing you their way as a public service!