I love film noir. The moody scenes, the stock phrases, the sultry femmes fatale. It’s a wonderful transportation to a lost world that probably never really existed.
But subtle? No way.
The characters spiral out of control and, except when Bogart is involved, come to awful, well-deserved and often gruesome ends.
And then we come to 1949 and The Reckless Moment.
This is a noir film where the psychological motivations are much deeper than the usual greed, lust and fear. It’s a film that leaves you with questions, even though it’s not exactly Camus.
The setup is that a mother is being blackmailed for her daughter’s indiscretions after an unfortunate accident kills off the girl’s lover. The mother, far from being innocent, responds foolishly – but we’re never quite certain if the mother’s innocent, wholesome facade afterwards is an act or if it’s coldly calculated to draw in the man who ultimately takes the fall.
The criminal element in this one is an Irish gangster with–in what later becomes a cliché–a heart of gold. In single handedly saving the day, he becomes the sympathetic character, the one socially conscious people point to when the say that people are good, but sometimes their upbringing didn’t give them a chance.
Like Gun Crazy, I wouldn’t call this one noir. It just doesn’t hit the mark. While Gun Crazy misses because it’s too B-movie simplistic, this one misses because of its attempt at sophistication. I would call it a crime drama… but not noir.
As for the film itself, in moving away from the noir formula, I’m not certain it helped its cause. It is both slower and less impactful than the films which share its supposed genre. Decent, but others are better.
Gustavo Bondoni is a novelist and short story writer whose crime thriller Timeless is the story of a journalist who gets involved with forces she can’t quite understand, much less control. It’s sexy and fast-paced and modern… and you can buy it here.