We’ve got a treat today. Author Nick Barton is celebrating that he has a story in the Enter the Apocalypse anthology (in which our editor-in-chief, Gustavo Bondoni also has a story) by writing about the apocalypse. We think you’ll enjoy his take on what makes the subject so effective.
Apocalyptic stories have always appealed to me. That sounds somewhat sinister out loud, but I can’t help it. I’m not alone, either. So many writers have shared their own cataclysmic nightmares, all brought to print, the big screen, and in video games. From nuclear fallout to monster floods, dangerous spores and chemical warfare, and nameless disasters and formless creatures, you could say we are well studied.
However, insane weather and giant comets are great, but it’s the mystery of the disaster that always gets my attention. This year alone I have read around five apocalyptic stories (not always by choice) and each one has featured its own harrowing brand of terror. Four out of the five have clear names for their horsemen, but one book, BIRD BOX keeps the nature of its horrors unknown. This is a good thing. Monsters remain scary the less you see of them. That’s why the Xenomorph in ALIEN only has a token amount of screen time. In BIRD BOX, the end of the world comes about by erratic murders. Later it becomes apparent people are going kill-crazy because they have seen something. People begin to stay indoors, boarding up their windows so they can’t look outside. It gets to the point they must wear blindfolds to navigate outdoors. Scary? Bloody terrifying. I was genuinely getting anxious while reading it, and once when I left it to get a drink I jumped at a window. I was still halfway locked inside the story. That’s immersion on a level I haven’t experienced before. BIRD BOX is simply a book you must read.
While reading BIRD BOX, it reminded me of another end of the world novel that has haunted me long after reading it. THE ROAD. Perhaps the ultimate apocalyptic novel (at least in my mind.) Nothing remains. Nothing and nobody has a name, and the reason behind the burnt world is never explained. In every story like it there’s always a glimmer of hope, but for the Man and the Boy there is no hope. Trees are falling down, what people left have become cannibals, and the sun is always snuffed by the ashen atmosphere. You really wonder what the Man and the Boy are living for. They’re heading south for the coast, but it’s clear even if they do make it, what happens next? Without an ecosystem, the planet isn’t going to last.
THE ROAD, much like BIRD BOX, also features incredibly vivid and frightening imagery. BIRD BOX’s unseen horrors drive people rabid. One of the deaths include someone getting their lips torn off. In THE ROAD, the Man and the Boy come across a campfire with a charred newborn baby on a spit. It’s dark, terrifying and disturbing, but at the same time you sympathize with the characters. You don’t hate them. Survival instinct runs hot in humanity, and in THE ROAD it really does seem like people are surviving, not because they’ve got anything to live for, but because it’s in their nature. They just have to.
Hopefully we won’t ever have to.
Nick Barton is a speculative fiction writer living in Somerset, England. His horror short story, THE LAST RESORT can be found in Wicked Tales anthology, ‘Muffled Scream: Corner of the Eye.’ If Nick has gone missing, chances are high he is living as a wood elf in Skyrim, dancing to The Beatles or watching The Lord of the Rings, again. Visit him at nickbartonauthor.weebly.com, or on Twitter @NickBarton101.