PG Wodehouse

The Malakiad – Launched!

The Malakiad Cover Image

Every author on the planet loves book launch days.  That moment when people around the globe can (finally!) enjoy the fruits of all the hard work in writing, rewriting, selling the book, working with the publisher to edit and givin suggestions for cover art.

The Malakiad, my comic fantasy that takes place in Heroic-era Greece launched today.  You can buy it at Amazon right now.  Yes, right now!

As a special bonus for Classically Educated readers, I’d like to tell you about the genesis of this paticular volume.

It begins (as many of my writing adventures do) in the late 1980s when I read Another Fine Myth by Robert Lynn Asprin.  That was my introduction to humorous genre work, which eventually led to my love for Douglas Adams and Terry Pratchett.  I devoured each book by these guys as soon as I could get my hands on them.

Unfortunately all three are now gone, having died much too young.

Worse, I am unsatisfied with the current crop of humorous genre writers.  The problem isn’t their talent–I believe most aretop-notch writers–but the type of humor they attempt: watered-down, milquetoast and nowhere near as funny as their precursors.  The problem, I believe, is that genre humorists today are genre writers first, humorists second.  So, like most people in SFF, they are extremely aware of the sensibilities around them and write in such a way that no one at all could ever be offended.  Punches are being pulled in unforgivable numbers.  The books are set aside with a sigh.

That method isn’t particularly funny.  As Seth MacFarlane or Mel Brooks would tell you, the secret isn’t to offend no one, but to offend everyone equally.

And that’s why I wrote this book.

The Malakiad won’t offend too many people.  It’s meant to make you laugh, not to make anyone unhappy.  But it does poke fun at human foibles and it does ridicule things that are open to ridicule.  I wrote, in essence, the book I wanted to read, hopefully the kind of book that the great writers of the past wrote.

Is this one as good as its predecessors?  That’s for readers to say.  Critics, of course will be fed to the nearest large carnivore (unless they like the book, in which case they are extremely intelligent people who should be celebrated).

For now, all I’ll say is that, if you miss Douglas Adams, Terry Pratchett or Robert Asprin, you could do much worse than to give this one a go.

Enjoy!!

 

Gustavo Bondoni is an Argentine novelist and short story writer.

Advertisements

Reading Pratchett, Tinged with Sadness

I’m going to be honest.  If I was allowed to take the complete works of one humorist with me to a desert island, that writer would be P.G. Wodehouse.  For my money, he is the funniest author ever to grace the English language.  And I do mean grace: his sentences are a thing of beauty.  Without ever getting in his own way or using obtuse vocabulary, he managed to build perfect gems of writing… in almost every single sentence.  I can’t overstate the difficulty of managing that.  Sometimes you just want to write a sentence to get you from point A to pint B, but Wodehouse never allowed himself that.

If I had to keep ranking them, the second on my list would be Douglas Adams.  The perfect distillation of the English sense of humor.  Sadly, his oeuvre is too small to keep me entertained for an indeterminate period of time out in the south seas after a shipwreck but it is more intense.  He is more laugh-out-loud funny than Wodehouse is.

But though he doesn’t top my list on the pure humor and entertainment front, Terry Pratchett is by far the best novelist of my three favorite humorists.  He was the man who picked up the torch left by his predecessors and decided that he would not only write humor for humor’s sake, but he would break Wodehouse’s rule about writing a novel and make the books about something.  And they would be funny.

So, you get social conscience and human foibles and difficult topics with your humor.

I’ve read widely, and I’m here to tell you that only Pratchett has managed to handle that particular volatile mix without having it blow up in his face.

Most humorists fall into two camps: the ones that exploit the human condition for a few laughs and the ones who attempt to make us care.  The first group doesn’t really give a damn about humans as a group (or at least they aren’t there to make us think about humanity).  They just want their humor to be relatable enough so you’ll laugh at the right time.  The second group is usually preachy, holier-than-thou and so, sooooo concerned.  They are anything but funny.

Pratchett pulls it off.  You end up caring deeply about the issues in his book without ever having the sense that the writer is obsessed, and that the issues have taken over his work.  (actually, this happens to issue-driven books in any genre, not just humor.  When the agenda pushes the plot and characters aside, it’s a recipe for disaster).

So it’s with great sadness that I am reading the final few Pratchett books for the first time.  One can enjoy a book upon re-reading, but you never have the same sheer joy of discovery as you did the first time you encountered the words.  Since his death, a Pratchett book that I hadn’t read before became a priceless treasure.

Over the last year, I’ve consumed three of those treasures.

A Blink of the Screen by Terry Pratchett

A Blink of the Screen is a rare treat.  It collects Pratchett short stories.  Some of them we’ve all read before, but many are early work published in tiny magazines or very local newspapers.  They show a master at work before he was a master, with flashes of the genius that made him world-famous, but without the skill at weaving it all together.  Still, there are some gems in here, and punchlines that will make you chortle.  I enjoyed it.

Snuff by Terry Pratchett

Snuff made me even sadder.  It’s a Discworld novel.  If having any unread Pratchett book is a treasure, a Discworld book is like having the Crown Jewels and the Romanoff treasure all at once.  To make things even better, this is a Sam Vimes book.

A side note about Vimes.  While there are many amazing characters on the Discworld, Vimes became the most important of all after Pratchett discovered him halfway through the series.  He represents the everyman, but also the fatalist.  I have a friend who swears by the witches, but it’s Vimes who serves as the backdrop to Pratchett’s most mature work.  I like him even more than I like the Luggage and Death, and that’s saying quite a bit.

The only consolation I had when I finished this one was the knowledge that Raising Steam is still safely buried somewhere in my TBR pile.

The Shepherd's Crown by Terry Pratchett

The last book of the three I had to hand was The Shepherd’s Crown. The Tiffany Aching books fall in the Young Adult category and are a lot less funny.  Pratchett’s sense of humor is still there in the background, but these aren’t meant to be laugh-out-loud funny, but a coming-of-age story for a young witch growing into her powers.  All of Pratchett’s humanity is on display in these, but I wouldn’t necessarily recommend them to someone out for a laugh.  However, it is to Pratchett’s eternal credit that he manages to make a Young Adult story aimed at girls compelling to a not-particularly-young adult male who (as attested to by earlier entries) is more likely to pick up a spy thriller than a book about a teenage witch.

I don’t think we’ll ever see another writer quite like this one for a while.

 

 

Gustavo Bondoni is an Argentine novelist and short story writer.  He has a comic fantasy novel entitled The Malakiad coming out on March 22nd (it can be pre-ordered through this link).  If you enjoyed reading Pratchett, you will likely enjoy this one.  Also, the title comes from a very rude word in Greek, so there’s that.

Three Unconventional Roads To Wodehouse

Mention PG Wodehouse in a conversation and most people will immediately think of Jeeves and Wooster.  That’s partly due to the success of the books and stories, but, I suspect, mostly because of the various film and TV adaptations.  Of course, the one with Hugh Laurie as Wooster utterly deserves to have that notoriety.

But there is more to Wodehouse than the butler and his hapless gentleman.  No less a writer (and polymath) than Isaac Asimov said that Wodehouse, on a sentence level, is one of the three greatest writers in the English language (the other two, if memory serves, being Austen and Dickens).

People often scoff at that, of course.  A mere humorist upstaging countless numbers of earnest, serious writers, some of whom are even politically committed?  Blasphemy.  My answer to that is simple: pick up any of Wodehouse’s books, turn to a random page, and read any sentence that is more than five or six words long.  If you know anything about literature or writing, the odds are that you will have to concede the point.  He is consistently that good.

The above means that it’s a bit of a tragedy that casual readers don’t always go beyond Jeeves and Wooster so, in order to address that failing, we present three other good Wodehouse books (and discuss the three very different editions we read).  Think of it as a Classically Educated public service (you can thank us by buying our mug)!

The Girl in Blue.  PG Wodehouse.  Paperback

The first is The Girl in Blue.  This is a fairly typical standalone Wodehouse novel, and is a good non-Jeeves primer.  As you can see from the cover illustration of the version we read, a policeman ends up in a pond.  This is a recurring theme in Wodehouse, and upon reflection, we feel that if it were only a recurring theme in other types of literature as well, the world would be a better place.  Of course, star-crossed lovers feature as well, another central tenet of the canon.  If you’re going to start, and have already read the Jeeves books, this is a good place to begin.

Mr Mulliiner Speaking PG Wodehouse

Unlike the above novel, which is unrelated to other Wodehouse tales the Mr Mulliner stories are linked together in various books.  The one we’ll be discussing here is entitled Mr. Mulliner Speaking, and is sheer happiness.  Mr. Mulliner is an older and wiser character, so he is usually above Wodehousian shenanigans but, to the eternal entertainment of his drinking buddies, he has a number of young, nearly brain-dead, relations who get themselves into ridiculous situations.  They always work out for the best, of course, but the way they do reminds us that in Wodehouse, as in life, it’s about the journey, not the destination.  And few journeys are more rewarding.

We read this one in the original hardcover from 1929 (pictured above), and it was fun to experience it as pre-war readers would have.  But even though these are plentiful and affordable, there’s no real need to track one down, as 1929 is reasonably modern, so the book is just a book, not some artifact.

 

Utterly Uncle Fred PG Wodehouse

Finally, we reach the main course, a volume entitled Utterly Uncle Fred, which is quite possibly, the perfect Wodehouse.  The reason is that Uncle Fred is, perhaps, the most demented character in his oeuvre.  Age has not made this one wise, not in the least.  Instead, it sharpened his sense of chaos.  Of course, he is a kindly old man despite the propensity for landing his nephew in the soup, and his ability to get everyone in trouble is matched only by his knack for pulling them back out.  Once again, it’s the journey, not the destination that makes this book.

The book above is an omnibus edition (one of the nicest things about Wodehouse is the number of collections you can buy) containing three novels and one story, so it’s a meaty proposition.  We’d recommend buying it even if you’ve never read a line of Wodehouse in your life… but most people are too cautious with their money to do so, perhaps start with one of the other two.

Or just read some Jeeves and Wooster.  I’ve never heard of anyone going wrong with that!

BTW, apart from mugs, we also have a Facebook page.  You can like it if you like it!