Science says that people who apply stereotypes are right most of the time, but modern culture has assigned a stigma to using it for analysis purposes, so I feel a little bit guilty at stereotyping the seventies in a certain way. And yet, it’s nearly impossible to feel that the October 1975 edition of Road & Track magazine doesn’t represent the decade perfectly.
It’s possible the date has a lot to do with it; it’s hard to get more centrally located, temporally speaking, in the decade than late 1975.
But there are other things. For example, the Panther De Ville has to be the most 1970’s vehicle ever created. It cost Rolls-Royce money when new… and people bought them.
But there’s more to the seventies than random pimp-mobiles. There was also racing and, as anyone who knows anything about Hollywood is aware, the seventies were about Nikki Lauda and James Hunt. So it’s fitting to see that the two winners of Rob Walker’s race reports were… Lauda and Hunt.
Also, an art car created by Calder to run (weakly) at Le Mans? That should qualify as well (and it links to our more usual interests around here). As should the cover: the Chevette was considered a great car and there was a Formula 5000 inset. That could only be the seventies. And there was talk of regulation and safety and emissions.
So if you only pick up one 1970s Road & Track to try to understand the automotive decade, you could do much worse than to choose this one.
Gustavo Bondoni’s latest book is a monster book that could serve to define the monster genre in the early 2020s. After all, Test Site Horror contains genetically modified beasts, rogue scientists working semi-officially, Russian special forces troops and investigative journalists under fire. What more could a monster book need? You can check it out here.